josé ortega y gasset the dehumanization of art

It is the autonomy of works of modern art and sovereingty of contemporary art events that is no longer responding to the challenges of technical world. Ortega y Gasset has opened the question about the meaning of art deeply brought in close connection to a review of the modern technology. It should be useful to underline the efforts of rehumanization of the world starting from the idea of the end of modernity and progress of Western civilization. The author tries to explore the problem of articulating the metaphysical issues made by Ortega y Gasset from the premise that classification of his philosophy of life in the manner of conservative cultural critique has lost its credibility. José Ortega y Gasset and the Question about the Meaning of Art', Filozofska istraživanja, vol.35, br. José Ortega y Gasset and the Question about the Meaning of Art. José Ortega y Gasset and the Question about the Meaning of Art', Filozofska istraživanja, 35(4), str.

José Ortega y Gasset and the Question about the Meaning of Art.' Filozofska istraživanja 35, br. José Ortega y Gasset and the Question about the Meaning of Art.' Filozofska istraživanja, vol. Princeton published the first English translation of the essay paired with another entitled 'Notes on the Novel.' Three essays were later added to make an expanded edition, published in 1968, under the title The Dehumanization of Art and Other Essays on Art, Culture and Literature. His work has been compared to an iceberg because it hides the critical mass of its erudition beneath the surface, and because it is deceptive, appearing to be more spontaneous and informal than it really is. Ortega was an immensely gifted writer in the best belletristic tradition. Ortega championed what he saw as a new cultural politics with the goal of a total transformation of society. The 'dehumanization' of the title, which was meant descriptively rather than pejoratively, referred most literally to the absence of human forms in nonrepresentational art, but also to its insistent unpopularity, its indifference to the past, and its iconoclasm. Many embraced the essay as a manifesto extolling the virtues of vanguard artists and promoting their efforts to abandon the realism and the romanticism of the nineteenth century.

No work of Spanish philosopher and essayist José Ortega y Gasset has been more frequently cited, admired, or criticized than his defense of modernism, 'The Dehumanization of Art.' In the essay, originally published in Spanish in 1925, Ortega grappled philosophically with the newness of nonrepresentational art and sought to make it more understandable to a public confused by it.

José ortega y gasset the dehumanization of art